Nora Atkinson is the Lloyd Herman Curator of Craft at the Smithsonian American Art Museum. She joined the museum’s staff in March 2014. Atkinson was part of the team responsible for the recent renovation of the Renwick Gallery, the museum’s branch for contemporary craft and decorative art. She acquires artworks for the museum’s permanent collection and organizes exhibitions at the Renwick Gallery. She was the curatorial lead for the 2016 reinstallation of the contemporary craft permanent collection galleries and for the exhibition “Visions and Revisions: The 2016 Renwick Invitational.”

She is the author of Craft for a Modern World: The Renwick Gallery Collection and a co-author of the exhibition catalog accompanying “Visions and Revisions” (2016). Her research interests include contemporary craft and design and the role of the handmade in modern culture. Atkinson’s recent projects include the Renwick Gallery’s site-specific installation “Rick Araluce: The Final Stop” and the exhibition “Murder Is Her Hobby: Frances Glessner Lee and the Nutshell Studies of Unexplained Death,” that both opened on October 20, 2017. Currently, she is working on a major exhibition titled “No Spectators: The Art of Burning Man” and its outdoor extension “No Spectators: Beyond the Renwick” that are scheduled to open March 30, 2018.

Atkinson was a curator at the Bellevue Arts Museum in Bellevue, Wash., from 2006 to 2014. Among her most notable exhibitions there were “Fragile Fortress: The Art of Dan Webb” (2014), “Making Mends” (2012), “Lisa Gralnick: The Gold Standard” (2010) and “The Book Borrowers: Contemporary Artists Transforming the Book” (2009). Her critical essays and writing were featured in five publications produced by the museum.

Atkinson earned a bachelor’s degree (2002) and a master’s degree (2006) from the University of Washington, Seattle.

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